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This book had its provenance in the late 1920s, when Erle Loran, then a young artist who wanted to fathom the mysteries of C�zanne's structural form, took up residence in the master’s studio in Aix-en-Provence. For several years he lived there and painted, and when he came across familiar motifs in the countryside, he took snapshots of the setting. These photographs assisted Loran in his analysis of C�zanne's composition and served as the basis for this book, which analyzes over 30 of C�zanne's paintings. This new edition brings Loran’s milestone study up-to-date with a new foreword by art historian Richard Shiff, who places Loran’s work into today’s art historical context.
- Sales Rank: #2180311 in Books
- Published on: 1963-03-01
- Original language: English
- Number of items: 1
- Dimensions: 12.75" h x 9.75" w x .50" l,
- Binding: Hardcover
- 160 pages
Review
"I have learned a great deal from his book about modern painting in general. [Loran] devotes his attention mainly to Cezanne's concrete means and methods, and he arrives thereby at an understanding of Cezanne's art more essential than any other I have seen in print." -- The Nation
From the Inside Flap
Praise for the first edition:
“I have learned a great deal from his book about modern painting in general. [Loran] devotes his attention mainly to C�zanne's concrete means and methods, and he arrives thereby at an understanding of C�zanne's art more essential than any other I have seen in print.”—Clement Greenberg, Nation
About the Author
Besides being an artist of considerable reputation, Erle Loran was Professor of Art at the University of California, Berkeley. Richard Shiff holds the Effie Marie Cain Regents Chair in Art and directs the Center for the Study of Modernism at the University of Texas, Austin. His books include C�zanne and the End of Impressionism (1984).
Most helpful customer reviews
0 of 0 people found the following review helpful.
A great book for understanding how Cezanne constructed his paintings
By Jon Oldham
A great book for understanding how Cezanne constructed his paintings. The diagrams of the paintings, created by the author, gave me a lot of insight into how each painting works as a whole. Much of the text, especially in the first five chapters, can be scanned as it is dryly academic and filled with attacks on critics, other academics, and painters who have the audacity not to be named Cezanne. It is definitely not for someone wanting a book of paintings. All of the reproductions are Black and White. As a fan of Cezanne however, I will pour over the diagrams over and over to gain insight into his process.
0 of 0 people found the following review helpful.
Learn how one of the Masters laid out his works compared to the actual subject.
By Mike Lliteras
Very descriptive, I can see what Cezzanne did. This book shows the how and why of numerous works. You will learn how he used perspective and reversed perspective. His paintings are shown along with pictures of the actual subjects, so you can see how he rearranged them.
1 of 1 people found the following review helpful.
Cezanne's Composition
By Etta
This book is for anyone wanting/needing to know how Cezanne came up with his unique compositions. His methods are examined. His thoughts that were conducted to others throught letters and recall are examined. There is a lot of controversy over Cezanne's use of perspective. The author has photographed the exact locations of Cezanne's paintings and made diagrams with explanations for the reader to know exactly how the artist worked. I found this book to be very interesting.
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